beautiful, funny, sad & true

My older niece is in fifth grade, and every time we talk about school, I feel the need to bite my tongue a bit, because fifth grade was such a rough year for me.  My teacher, Mr. P., was horrendous, and mean, which I suppose is common enough, but that was also the year in which my parents got a divorce, and we were dealing with all that crap at the same time.  School work, naturally, got pushed to the back burner occasionally, as we were shuttled back and forth between Mom’s house and Dad’s new apartment.  My teacher sent many an angry report card home with me for my mom to acknowledge and sign, but I don’t think she ever saw any of them, because I would forge her signature and dutifully bring the cards right back to school with me the next day.  While I was in Yakima a few months ago for Stepdad’s funeral, Mom gave Brother and me each a box of our childhood stuff.  My box, which I now have here in my basement, was and is crammed full of school papers, drawings, my license plate collection, and even the slightly tattered blue blanket I used to carry around when I was really young.  Sure enough, mixed in with the forgettable mountain of school papers, I found one of those forged report cards.  I find it a bit depressing that with of all the important things I wish I still had (like my cassette tapes, and my toy cars!), that piece of hilarious minutiae somehow managed to survive the intervening decades.

But Niece doesn’t have to know about any of that for quite a while, as far as I’m concerned.  I don’t want to burden her with that knowledge, or to use the influence I have over her (as the ‘cool’ uncle) to sway her in that negative direction.  I want her to have the best school experiences she can, for as long as she can.  School’s hard enough without your uncle telling you how crappy it is.  But I do think about it from time to time, and I feel like fifth grade was the first real low point in my life, and that’s when something changed in me forever.

In sixth grade, I had a teacher with the very unfortunate surname of Growcock.  On the first day of school, he would quickly tell the students, “Call me ‘Mister G’.”  Thankfully, he was one of the best, nicest and most memorable teachers I had during elementary school, which helped bring me back from the shell shock of the year before.  He was always quick with a joke, but we knew to take him seriously also.  Each year, he would take the entire sixth-grade class to see a Harlem Globetrotters game in the nearby college town of Ellensburg, which was a tradition that all the younger kids looked forward to.

On Valentines’ Day that year, all of us kids made cards for each other, boys and girls alike.  That was the last year we did that before we all hit puberty the following year, which meant that valentines were out of the question.  One of those valentine folders survived in my childhood box, too, but I’m not sure if it’s the one from fifth or sixth grade.  What I do remember about that day was the folders we all made.  We cut out construction paper and drew a bunch of designs all over it – usually hearts or poems or whatever – and then we taped them to the side of our desks so that people could come around and place cards into them.  One kid, M. Reynolds, wrote a poem on his folder that quoted a popular commercial of the day:  “Reynolds Wrap:  the best wrap around.”  M.’s writing skills were a bit lacking, however, so he misspelled the word ‘wrap’, which meant that his Valentines’ poem was proudly displayed on the side of his desk, in huge bold letters, for all to see.

“REYNOLDS RAPE, THE BEST RAPE AROUND.”

My desk was right next to M.’s, which meant that I got to see that gem in progress before anyone else did, and I knew that it might get him in trouble if anybody else saw it.  I wasn’t necessarily a friend of M.’s, but I felt that I should mention it to Mr. G., and somehow stick up for M. at the same time.  When the bell rang and everyone else, including M., ran outside for recess, I walked up to Mr. G.’s desk and told him I had something to show him.  “I’m sure this is a total accident, since M. isn’t very good at spelling, but I thought you should see this, cause it’s funny.  I don’t want him to get in trouble or anything, though.”  We had a good laugh, and he told me he’d take care of it.  When the class came back inside from recess, M. had crossed out every instance of ‘rape’ and replaced it with the correct word.

Incidentally, I’m sure Mr. G. knew how lucky he was that he taught younger kids, because with the last name Growcock, teaching any older age group would provide decades of ridicule for the poor guy.   Maybe he consciously chose to teach lower grade levels for that very reason.  One of my current friends, who was in Mr. G.’s class at the same time I was, recently joked, “Man, I’d be changing that shit to Smith.“  I couldn’t agree more.  I did a quick search for Mr. G. online, and it seems that he’s still alive and living in central Washington state, although he’s almost eighty years old now.  I hope he continued to enjoy teaching, and I hope he’s had a good life.  I probably owe my sanity that year to him, although I promptly lost it again the next year, as soon as I entered junior high.

This morning I had a dream that I can’t seem to shake off.  It was a very long dream, with multiple sections, most of which aren’t worth sharing, but the disturbing part is one in which I’m playing cello with two musician acquaintances; we’ll call them L. and A., since those are their real first initials.  A. is also a cellist, and L. is a violinist, at least in the dream.  I don’t think L. really plays the violin, but she is an excellent and fairly well-known singer and songwriter around town.

So we’re sitting in a room in A.’s house, playing through a tricky piece of classical music.  It isn’t a piece I’m familiar with in real life, and I’m not exactly struggling with it, but I’m certainly not playing at my best, and we’re all aware of that fact.  A. is prepared to overlook it, but L. puts down her violin and glares at me.  “Would you get it together, please?” she asks, crossly.

“Sorry,” I say.  “I’m still warming up.  I’ll improve, you’ll see.  Do you have any suggestions?”

“You always have questions about everything,” she snaps.  “Just play better.”

“Uhhh, okay,” I say, a little bit on the defensive now.  “I told you I’ll get better as I warm up.”

She ignores my response.  “What are you wearing?  A cube? Really?”

“What are you talking about?”  I look down to see that I’m wearing a perfectly good outfit of jeans, an orange crewneck sweater, and a black hoodie. “What’s a ‘cube’?”

She rolls her eyes, then turns back and launches into me.  “Why do people hire you? I thought you had a good reputation for playing drums, or piano, or something.“  She pauses, choosing her words for maximum damage.  “Do you really think we’re ever going to call you again? This is a total waste of our time.  And why do you dress that way?”

“What ‘way’?  I’m dressed fine.”

I’m angry now, and I decide that this has gone on long enough.  I gently place my cello on the floor, stand up and walk across the room to gather up my instrument cables, jacket, and cello case.  A. picks up my cello and holds it out in front of herself so she can inspect it.  I walk back toward her and crouch down to see what she’s looking at.  There are two metal clasps on either side of the back (cellos don’t really have clasps on the back) that are hanging loose.  I tell A., “I’ve never seen those before, but I’m guessing they’re supposed to be tightened, aren’t they?”  I reach over and tighten the one nearest me, and A. tightens the other one.  I notice out of the corner of my eye that L. is glaring at me with a look of disapproval.

Next, A. pulls out a long piece of white twine and starts to thread it through the back of the cello, making a square pattern that is raised about an inch above the back of the instrument.  “What’s that for?” I ask her, which makes L. scoff loudly from across the room.  A. finishes with the twine, and I take my cello over to the case and put it inside, avoiding L. as much as I can in the process.

The dream’s location changes, and the three of us are in A.’s yard.  She is walking across the lawn toward L. and me, and she says, “I carried your cello to your car for you.”

“Oh, thanks.”  I put my hand on the back of her shoulder.  “You didn’t have to do that.”

“I don’t mind.  It was nice to play with you,” she says.

I don’t entirely believe her, but at least her attempt at platitudes is better than L.’s blatant hostility.  “Thanks, you too,” I tell her.  “See you around.”

L. stands and silently watches me grab my remaining things and walk across the grass toward the dirt road where my car is parked.  For some reason, it’s not my current car, which I also have in the dream, but my first car instead, an ancient blue Toyota station wagon.

I notice that it has a new dent on the driver’s side, where someone has attempted to pry the door open.  The back hatch is raised, thanks to A, and the car and its contents are covered in a thick layer of dust from when cars have driven past on the dirt road.  I throw my belongings in the back, slam the hatch and open the slightly mangled front door.  I brush the dust from the seats and steering wheel, sit down, start the car and drive aimlessly for a while, until I realize that I’ve left a small bag of cables and music gear at A.’s house.  I’m not at all excited to go back over there, but I need my things, so I turn around and head back, with a sense of dread and foreboding.

That’s the point at which I wake up, so you can imagine why I’m stuck feeling kind of blue today.

Like most kids, I spent the first decade or so of my musical life listening to my parents’ record collection, which consisted almost entirely of classical music, with the barest minimum of rock (The Beatles, Simon & Garfunkel, Mamas and the Papas, etc.) thrown in for good measure.  My dad’s rare ventures into so-called rock included easy listening stuff like the Carpenters, which made my brother and me cringe.  By the time I was about twelve years old, I finally discovered that I could have a radio in my room, and that radios had stations that could be changed.  I quickly found out about NPR, because they played a radio version of The Hitch-Hiker’s Guide to the Galaxy, which I still think is one of the funniest and most brilliant books ever written.  I also found out about heavy metal, which was popular at the time, and which changed my life forever.

There was a late-night (ten o’clock is late-night when you’re thirteen years old) show called Metal Shop, which introduced me to a whole new style of music that I would call my own for the next few years.  The show has a newish online presence, albeit without the original host, but it will give you an idea of the kind of bands they played.  The ones I that knocked me out early on were Dokken, Ratt and Twisted Sister, but I eagerly devoured most of what the show offered up each week.  My brother dutifully followed suit, and before long, we were listening to all the metal masters of the day.  I got my first electric guitar a month after my fifteenth birthday, and this is about all anyone saw of me for the next two years.

I’m happy to have a scanner, finally, so that pictures like the one of my brother in Kiss makeup can finally see the light of day.  I’m sure he’ll be thrilled about this.

I’m sharing it here because A) it’s priceless and I love it, and B) he’s standing in my doorway, so you can see that I had corkboard panels covering my wall, and the entire thing was covered with pictures cut out from magazines like Hit Parader and Circus.  From the top down, they are pictures of Aerosmith, Ratt, the Scorpions, Eddie Van Halen, and Kiss.  You’re welcome.

All of this presented a problem for our mom, who was becoming more and more conservative as the years progressed.  She was worried about the state of our souls, and she would give us books by Christian authors like Bob Larson, who was most famous for his theories about the supposed practice of the ‘backward masking’ of hidden Satanic messages that only appeared in songs when the songs were played in reverse.

Bob is still around and doing his thing, and his focus these days seems to have shifted from the evils of rock music to the exorcism of demons, but back in the day he would spend all his time decrying heavy metal and playing song after song while he did so.  He would compare the supposed innocence of the regular version of a song, but as soon as he played the record backwards, its subversive and insidious ‘real’ meaning was revealed.  One of the most famous examples was “Another One Bites the Dust” by Queen, which said, upon reversal, “Decide to smoke marijuana.”  Or DID it?

The best times on the show were when he would open up the phone lines and take callers.  He would argue passionately with the ones who found his claims ridiculous, and he would ‘save’ the ones who felt they needed to repent, right there on the air.  It made for hilarious and riveting radio.   When a caller would say, “But, Bob, [insert famous musician’s name here] wears a cross all the time,” Bob would reply, “I bet he doesn’t even know what that cross means.”  Our favorite quotation of his was about the leather-and-studs clothing that Judas Priest introduced, which was quickly adopted by a lot of the other bands.  Bob made it very clear that “leather and studs are symbols of sado-masochism in the gay community.”

Who’d have thought at the time that Rob Halford of Judas Priest (in the picture above) would, in fact, come out of the closet and announce his homosexuality a decade or so later?  Who’d have thought that he spent much of his free time in gay S&M clubs, and that he would fashion the entire look for his band after the style of clothing that he’d seen and worn in the clubs?  The mind boggles.  All I can say is, when my brother and I were young, ideas like ‘the symbols of sado-masochism in the gay community’ would never have crossed our minds if it wasn’t for Bob Larson.  We liked the music enough that we didn’t really care what people looked like, with the possible exception of Vinnie Vincent, who looked even more feminine than most of the other glam rockers at the time, which put him up against some serious competition.

At some point, I’ll have to write a separate entry about Vinnie Vincent, because his is a very interesting story, and a bit of a rags-to-riches-and-back-to-rags one, too.  That’s neither here nor there, at least for the purposes of this story.

It was never our intention to emulate the rock-and-roll lifestyle; we were mostly well-adjusted kids who just wanted to listen to the music.  One day, however, our mom decided that she’d had enough.  She marched into my brother’s room, where he had a large poster of Poison on his wall.  The bass player, Bobby Dall (I didn’t even have to look that up!), had a cigarette dangling from the side of his mouth.

“That’s disgusting,” my mom sneered.  “Take it down.”

“What?” my brother asked.  “No way!”

“Yes,” she said firmly.  “Look at that; he’s got a cigarette hanging out of his mouth.”

“So?  You think I’m gonna start smoking just because he does?”

“Well. . .maybe.”

“Oh yeah, right.  Why do I have to take this down?  Come here.”  He ran into my room and pointed at a huge poster of Yngwie Malmsteen dressed in black, wearing a huge cross around his neck.  “Look,” he continued, sarcasm dripping from his tongue, throwing Bob Larson’s quotations back into Mom’s face.  “He’s wearing a cross. . .I bet he doesn’t know what that means! And all these guys are wearing leather and studs, which are the symbols of sado-masochism in the gay community!”

At that, Mom came bursting into my room, saying, “WHERE?”

I collapsed into laughter, and my brother was still consumed with rage, but after a few seconds he started to laugh too.  He wasn’t about to take down that poster, though, especially since I had an entire wall devoted to all the same people, and I certainly wasn’t going to take anything down.   Mom stood and stared at my wall, seemingly for the first time, and she didn’t like it one bit.  The symbols of sado-masochism in the gay community were everywhere, and so were the symbols of hedonism and satanism.

“I want this garbage taken down,” she said.

“No.  Why is this such a big deal all of a sudden?  These pictures have been up here for two years.”

“Well, take them down now.”

“No.  I like them.”

My brother and I won that particular argument.  I suspect that Mom realized it was a phase we were going through, and that we’d grow out of it soon enough.  Or maybe she just gave in.  Either way, we won, and the posters stayed up until we moved into our new house a couple of years later, by which time they had been replaced by world maps and posters of the Beatles.

In my experience, if you tell somebody they can’t have something, it only makes them want it more.  When I was in college, there was a pathetic demonstration of some sort (I don’t even remember what the issue was) that involved people waving signs that warned other people not to burn the flag.   One of my friends said, dryly, “I never wanted to burn a flag until they told me I couldn’t.”  Also, I worked at a record store during the time that 2 Live Krew’s Nasty As They Wanna Be came out.  That turd of an album sat untouched on the shelf for months at a time, and we couldn’t pay people to take a copy of it.  As soon as it got banned, however, we couldn’t order copies of it fast enough.  People who didn’t even like rap were buying them just to see what the fuss was about.

The point of all this, to the extent that there is one, is that kids turn out fine most of the time, and the music they listen to is the least of their problems.   Pick your battles, parents, and stay involved with their lives, but be careful not to make mountains out of molehills.  If you do, you’ll only make the kids more likely to rebel, which will exacerbate the issues you were trying to eliminate in the first place.

By way of a denouement, here’s a classic Bloom County cartoon I had on my wall back then, from when Apple introduced the first Macintosh computers.  I figured it would tie in nicely with this particular discussion.

Story #6 from The Red Notebook, by Paul Auster.  I took the liberty of slightly abridging the beginning.

R. told me of a certain out-of-the-way book that he had been trying to locate without success, scouring bookstores and catalogues for what was supposed to be a remarkable work that he very much wanted to read, and how, one afternoon as he made his way through the city, he took a shortcut through Grand Central Station, walked up the staircase that leads to Vanderbilt Avenue, and caught sight of a young woman standing by the marble railing with a book in front of her; the same book he had been trying so desperately to track down.

Although he is not someone who normally speaks to strangers, R. was too stunned by the coincidence to remain silent.  “Believe it or not,” he said to the young woman, “I’ve been looking everywhere for that book.”

“It’s wonderful,” the young woman answered.  “I just finished reading it.”

“Do you know where I could find another copy?” R. asked.  “I can’t tell you how much it would mean to me.”

“This one is for you,” the woman answered.

“But it’s yours,” R. said.

“It was mine,” the woman said, “but now I’m finished with it.  I came here today to give it to you.”

“Thank you for your interest in the position of [job title] with [company name].  I regret to inform you that upon review of your application materials, we are not able to offer you further consideration in this recruitment process.

As you may know, this recruitment generated a remarkable response. Due to the volume of applicants, I will not be able to provide you with customized feedback about your application or respond to similar inquiries. However, generally speaking, applicants currently being considered have qualifications that most closely align with our ideal candidate profile.

We truly appreciate the interest you have shown in this position, and hope you will watch for future career opportunities with us. Our current job listings are on our web site.

I wish you the best of luck in your future career endeavors.”

These responses are getting old.