80’s Röck Blög, part one
blogging, music February 9th, 2008After a sick day I had not too long ago, when I stayed home and spent endless hours watching videos on WebSiteLikeTV, I mentioned my idea of doing a series of entries about 80’s rock, and some of the bands I used to like back in the day. I have to confess that I don’t exactly know where to start with all of this; the natural place would be at the beginning, but since rock music is a bit of a continuum, I guess I’ll jump in by starting with the music that I came across first.
I didn’t grow up in a major metropolitan city, I grew up in an isolated little town in the middle of Washington state. No cable TV, no live music or touring bands to speak of. I’ve played piano since I was three years old, so I grew up listening to classical music, and then a little bit of stuff from my friends, but not much. The majority of my musical childhood was spent listening to whatever my parents had in their record collections. My dad had a sizable collection that was all classical. My mom had about 50 records, including some Simon & Garfunkel and Beatles, and some classical, and some folk, but nothing really earth-shaking.
I’ve always hated 70’s arena rock and all that boring blues-based stuff. I’ve always hated that wispy 70’s folk that was the antithesis of arena rock. I didn’t discover rock music that I actually liked until I was about ten or eleven years old, but that was pretty much just whatever was on the radio at the time. Nothing particularly earth-shaking there either.
When I was twelve or thirteen, my parents had been divorced for a couple of years, and my dad moved to the Portland, Oregon area. That was when I finally got to hear some new and different music. Portland had two whole radio stations devoted to classical music. They had jazz, all kinds of different pop music and dance music, as well as hard rock, which was what I took a particular interest in. My dad also had cable TV, which included the still-fledgling MTV, which was just beginning to have a huge effect on popular music. I will never forget some of those exciting, innovative and strange early videos. Here’s the obvious choice to show first, the Buggles’ “Video Killed the Radio Star.”
Lots of things were happening in the early 80’s that affected music greatly. Cable TV, particularly MTV, led the way in creating a new look and style for the changing times. Technology was changing daily as well, which meant that computers, synthesizers, camcorders, VCR’s, cassette recorders were all inexpensive and readily available, which meant that almost anyone could create things at home that could be seen by lots of people, relatively easily and cheaply.
That, combined with the all-pervasive ‘bigger than life’ ethic that exemplified the 80’s made for some interesting music and videos. Duran Duran were one of the biggest bands of the time, and deservedly so. They combined intelligent, catchy songwriting with youthful good looks, and the ‘exoticism’ of being English. Here’s “New Moon on Monday.”
And it wasn’t all new groups, either. More, um, seasoned bands like Yes and Kiss breathed new life into their careers by ushering in new members and taking advantage of the new technology to update their sound and look.
Here’s “I Love It Loud” by Kiss, and “Owner of a Lonely Heart” by Yes.
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This was also the decade of the widening “generation gap” between adults and their kids. Unlike the “My Generation” kids of the 1960’s and 70’s, kids of the 80’s seemed to have a completely separate existence that was entirely their own. Times were changing at a breakneck pace, and many parents seemingly had no other choice but to abdicate.
This seems like a good start, and there’s plenty more to come.
February 11th, 2008 at 12:54 am
Ok, and you probably expected this; I would like to comment on a couple of points. Now we have debated one of these points to the point of boredom but…well you know me,I can’t let anything go.
First, it is a little ironic how KISS was revitalizing their career at that point. They had just come from several disco touched albums, and the poorly executed concept album, “Songs From the Elder.” With the release of Creatures of the Night, they were definitely back to their older hard rock style, and in fact they were quite a bit heavier than they ever been before. The true revitalization of their career, really didn’t take place until the next album, “Lick it Up.†Of course, this was the album they removed their make up. Thus opening a whole new chapter their story
The case with YES is different. Yes had actually broken up after the album Drama. In fact long time vocalist John Anderson had already left prior to that album to be replaced by Trevor Horn.
The reunion of Yes, for the album 90125, wasn’t so much a reunion, as a reformation. With the absence of Steve Howe, the heart and soul of the band was gone. And while the band was reinvigorated, they were in only a superficial, commercial sense. Trevor Rabin, while unquestionably a damn fine musician took the band in a much more pop oriented direction. 90125 is a good album, but doesn’t even hold a candle to greats like “Close to the Edge,” “Going for the Oneâ€, or “Fragile.â€
That having been said, one can’t argue the results of Trevor Rabin’s direction. Number one hit single, and continuing FM radio staple, “Owner of a Lonely Heart.â€
Anyway…good blog…keep em coming..
Dave Bible
February 11th, 2008 at 9:34 am
Funny thing about Kiss ‘Lick it up’, I had figured out a way to plug my tape walkman into my Magnavox record player with stereo speakers. Man I played ‘Lick it up’ so loud on that thing.
You gotta lick it, you gotta lick it!
Blaine
February 11th, 2008 at 11:35 pm
KISS:
Agreed. . .the removal of the makeup was definitely the next big step in Kiss’s evolution. They certainly weren’t a new band by the early 80’s, but MTV was what brought them to a whole new audience. It’s funny how this video shows them doing all their ‘shtick’, compressed into three minutes. They manage to cram all their most famous poses into the alloted time slot.
YES:
Trevor Rabin vs. Steve Howe? *yawn*
Trevor Rabin. :)
Funny about the Yes connection with the Buggles, though. Trevor Horn formed the Buggles with keyboardist Geoff Downes, and then joined Yes after Jon Anderson left. As if that weren’t enough, he then went on to start The Art of Noise a couple of years later, and then became a well-known producer. And much later, co-wrote “Kiss of a Rose” with Seal. Geoff Downes went on to form the group Asia (“Heat of the Moment”, etc.). But if I remember right, wasn’t he in Yes for a while, too? Oh, the tangled, incestuous webs we weave!
February 13th, 2008 at 12:04 am
Well since we are all talking about Seal now, don’t forget that Trevor Rabin played guitar on “Crazy” and produced Jason Bonham’s solo album.
Where is the connection to that you ask.
Steve Howe and Jimmy Page both sloppy guitarists.
ha ha!
Blaine
February 13th, 2008 at 4:28 pm
This comment is actually meant for the next post, which doesn’t have a comments link after it.
I have recently had to ban anonymous comments due to abuse, as well. It’s a pity, but there are some things you just shouldn’t have to deal with.
February 14th, 2008 at 12:37 pm
Thank you, Schmutzie. Sorry to hear you’ve had a case of the trolls too.
It seems to be going around. :)