beautiful, funny, sad & true

Tonight I spent an hour on the phone with a great friend who took a very big and gutsy step recently. I choose to say no more about it, but it took great courage to step up and do what he did, and I for one appreciate it whole-heartedly.

What a day this has been. After such a winter-storm-filled weekend, the weather was beautiful, so I didn’t really notice how stressful the day at work was. Went to lunch at CheapGoodMexicanRestaurant with a co-worker friend, and ran into the guy who engineered one of my recent drum recording sessions with Sarah. Not ShinsEngineer, but the other guy. Really nice guy, and since I hadn’t seen him since we did the recording session, it was really great to run into him again.

Sorry if this entry seems a bit cryptic, but I did just want to check in before I head out to rehearse for the play. Incidentally, here’s the flyer for said play:

I know I’ve said it before, but I’m incredibly honored to be a part of this production. It’s hilarious and touching and strange, and I just love it. I’m completely impressed with the people who are creating it, and at the same time, I’m glad to be able to be a part of it, too.

If you’d like to be there, contact me by any means necessary, and I’ll put you in touch with the people you need to be in touch with to get a ticket. They’re a mere ten dollars each. I try not to invite people to every single thing I do, but this one is so unusual–and so great–that if you enjoy what I do, and certainly if you’re a friend of mine, I can pretty much guarantee you that you will have a great time at this show.

This won’t be the last time you’ll hear about it. You will be reminded.

Oh yeah. . .just this second, I remembered that it was April Fools’ Day.

Hunh.

Well.

I don’t know what else to say about that, except that I didn’t get tricked today, and I also have to leave for rehearsal right now. Talk to you soon!

Sorry I’ve been away for a few days. I’ve been meaning to write, but I’ve been busy every single night for the last two weeks. Between the multiple rehearsals for the play, an impromptu recording session with Steph, working a full day every day, it’s just been exhausting.

It’s been crazy. Go to work, go out for lunch with work friends or other friends (like today), come home for an hour or so to eat (or sometimes not), then go either out with a friend, race to a play rehearsal, or off to a gig. On Tuesday, RockShowGirl and I had dinner together here at my apartment, and then she came with me to Stephanie’s recording session–which, incidentally, was great!–and then I dropped off her off and got home at around 11:45. I checked my e-mail really quickly, and saw that Tossed-In was online too. He saw that I was on and called me. We then spent the next hour talking about music and ‘flow’ on the evening of the play, so I finally went to bed at one in the morning.

So yeah; lots of long phone conversations, lots of working, lots of playing, lots of rehearsing, lots of gigging, and it’s not even the weekend yet. Tomorrow I’m working a half day, then driving an hour and a half to visit my dad and stepmom. I’m staying overnight there, then coming back to town on Saturday morning in time to grab my cello and race over to a rehearsal for Bryn Loosely’s CD release party, which is Saturday night. Sunday afternoon is play rehearsal in the middle of the afternoon.

Right now I’m supposed to be getting ready for tonight’s Breanna gig. I’d love to be able to take a shower (woke up too late this morning) and play the cello for a while, but a little bit of down time will help immensely. If I’m lucky, I may just be able to squeeze in all three things.

Okay, so here’s the music I was talking about the other day. The songs are now posted on MySpace, so they’re fair game to share with you too.

The band is called SistersBrother, and I played the drums and the bass on all of the songs.

On the song “Knickers” I also played the pseudo-ukelele part in the verses. On “Danger Boots”, I also played electric guitar in the middle section. On “Vampires”, I used tympani mallets for the first two-thirds of the song, then switched to sticks and rocked out for the last part of the song. On “Swallows’ Nest” I also played the glockenspiel and the flute-y keyboard parts that show up at various points throughout the song. This was the hardest song, as far as the drums were concerned. It’s almost like two songs in one, in that it alternates between a Beatle-esque feel and a pseudo-reggae feel, which are very difficult to transition between. The ‘hiccup’ drum parts during the ending section of this song are surprisingly difficult, and they’re the parts that I’m particularly proud of.

I’m really honored to be involved with Sarah and Jimmy’s project, and I’m glad that I’m finally able to share some songs with you.

My head hurts from laughing so hard.

Just got home from rehearsal for the plays. I say ‘plays’ because in about a month, we’re going to be having a night of six short plays, for your pleasure.

I say ‘we’ because I will actually be playing accordion and piano (and maybe cello or something) as incidental music between the acts, actual music for one of the actual plays, and I’m actually playing the actual accordion in one of the actual plays (in which I even have an actual speaking line!).

I say ‘pleasure’ because that is the feeling you will be overwhelmed by if you come to see this show. Allow me to elucidate.

There are six plays in this particular show:

One–written by a member of the reading group–involves a writer’s struggle to create; one explores the nature of how much information is too much to share with a new love; one is a touching story of a father and a son; one–written by another member of the reading group–explores the nature of predator and prey, and involves both goldfish and marijuana; one is the story of the hijinks that ensue when staunchly feminist Amazon women encounter a handsome male ‘diplomat’ in the jungle; and the play I’m in is the story of a girl who wears a coat that’s made out of meat.

If all of this doesn’t sound enticing to you, then gawd help you. I’m honored and thrilled to be a part of this production. I’m going to go out on a limb here, and say that this is Theatah At Its Finest. The show will be on April 12th, and costs a mere ten dollars. Contact me by any means necessary if you’d like to come. If you leave a comment here on BFST, I’ll have your e-mail address.

And now I’m home, eating dinner and enjoying what I like to call a Crash Day, where I stay home and completely unwind after an insanely busy couple of weeks of work, rehearsals, gigs, and socializing. Special thanks to Maddy for making the trek down from Seattle to come to the awesome Stephanie gig last night, and for bringing me some DVD’s of a show I’ve been wanting to see for a year.

And now it’s time to start watching said DVD’s of said show. The Crash begins now.

Oh, and hey. . .here’s the first actual incarnation of OneYearAgo!

I had a great blog-related idea yesterday that I think I’m going to start implementing right away. I call it OneYearAgo, because I thought it would be interesting to compare what’s happening now with what was happening at this time last year.

Naturally I decided to unveil the idea tonight, the twentieth of March, which was a day that it just so happens was entry-free last year. Here’s the closest one, though, by way of example.

In more current news, I got an out-of-the-blue call this evening from MusicProducerSean, who started the conversation very simply, by saying, “You rock!” I was taken completely by surprise, and instantly burst out laughing. Apparently he’s been mixing the songs of Sarah’s that I recently played drums/bass/keyboards on, and it’s all coming together nicely. I can’t wait to be able to hear the songs, and also to share them with you.

That phone call made my day. No, I take it back; it made my month.

More musical news; Andrea’s album is officially finished being recorded, and now we’re trying to decide whether to mix the album ourselves, or to go with an ‘unbiased’ mixing person to give it a fresh approach. I personally lean toward doing it ourselves–the three of us have world-class talents, and Jim’s studio is full of all the best equipment–but we’re also interested in hearing what someone else would bring to the project. So I guess we’ll see. After it’s done, Andrea’s moving to Switzerland. LUCKY.

Time for me to get a passport.