beautiful, funny, sad & true

My favorite thing to write about lately seems to be my childhood, between the ages of about eight and eleven.  Not sure why that is, exactly, but it’s interesting to revisit those times from an adult perspective.  Here’s one that’s particularly memorable and funny.

When my parents split up, I became the ten-year-old de facto Man of the House, which meant that sometimes I had to do things that Dad would prevously have been asked to do.  I remember being sent to the store once by Mom to buy some tampons.  She was unable to make the trip herself, for obvious reasons, and my brother was too young, so the task fell to me.  I rode my bike to Wray’s Thriftway and parked it in the bike rack.  As I walked through the aisles, I became increasingly mortified by what I’d been sent to do.  I attempted to distract myself by looking at the candy bars, and I decided to purchase one, in order to make bearable the awkward situation I was preparing to face.  I carried my candy bar and walked quickly to the mysterious tampon aisle.

As I stood there, staring at the huge and confusing array of pastel-colored boxes, I quickly realized that Mom had neglected to tell me anything about which kind to buy.  I knew nothing about them (and I still don’t, let’s face it!) except what I’d seen in advertisements on TV.  I knew that mothers and daughters seemed to talk about them in great detail at the breakfast table (as well as ‘douches’, whatever those were), and that women loved to play tennis while they were using them, but I knew nothing about sizes or materials or shapes or any of that.  I grabbed a box by a brand name that I recognized and made a beeline to the checkout counter, avoiding all eye contact and making sure not to go through the line of any of the checkers that I knew.  I decided on the counter nearest the exit, and I nervously placed my two items on the conveyor belt, candy bar first.

The lady in front of me had about a million items in her cart, and I stood there fidgeting, praying that no one would get behind me in line.  My prayers went unanswered, and a whole family of people appeared behind me.  I turned my back to them and kept my eyes facing the door, where freedom beckoned.  When the woman in front of me was finally finished, the checkout lady saw my tiny Twix bar and huge pink box of tampons and absently asked, “Did you find everything you need?”

I nodded as she scanned my candy bar and placed it on the other end of the counter.  As she scanned the tampons, i blurted out, “Uh—they’re not for me.”

She gave me a polite laugh and said, “No kidding.”  She was in her forties, I think (but kids have no gauge for age; you’re a Kid, then you’re a Teenager, then you’re an Adult, then at some point you become Grandpa), and she certainly didn’t need me to explain the situation, but in my heightened state, I was convinced that she was trying to humiliate me even further when she asked, “Paper or plastic?”

Unaccustomed as I was back then to that innocuous question, I thought she was talking about the tampons, but I finally realized that she was merely inquiring about what kind of bag I wanted to carry the stuff home in.  “Paper,” I said, which was more difficult to carry on my bike, but at least the contents of the bag would be safely hidden.  I paid for the items, zoomed out the door, got on my bike and rode home before anyone else saw me.

In retrospect, I don’t know why that was such a humiliating experience.  It certainly wasn’t weird for the checker until I MADE it weird.  Maybe my mom was uncomfortable asking me, so I internalized that discomfort and was ‘primed’ for the situation to be awkward.  I was years away from being familiar with Hamlet, but his line, “There is neither good nor bad but thinking makes it so,” would have been a useful one to keep in mind that day.

I still think of my hilariously asinine statement every time I see tampons in the store.  They’re not for me.  For the record, I’ve bought them a few times since then, and it isn’t awkward at all.  I’m sure that’s because when I was ten, I learned that I don’t need to blurt out that they aren’t mine; everybody already assumes that.

There’s been a lot of dream talk around here lately—Not That There’s Anything Wrong With That—but I’m sure you know by now that means I’ve been in one of those cycles where I’ve been extremely busy and out of town a lot.  I’ve been gone for gigs, and for the Fourth of July weekend, and then I spent the better part of a week at the Oregon coast with Mom and Brother’s Family.  I spent two weekends in a row in Yakima, and actually had a great time, for a change.  There’s lots of stuff to potentially write about, but no time to process and think about it all yet, so in the meantime, I’ve decided to dip back into my childhood for this entry.

This story is about a kid in my fifth-grade class who used to pick on me mercilessly.  I genuinely hated him, in the way that only children are capable of hating each other.  The good news for me at the time was that he was absent from school a lot, and no one seemed to know why.  There were rumors that he was sick, or that his parents traveled all the time, but we never really knew for sure.  I only remember him being in class for a few weeks of fifth grade, and a handful of days of sixth grade before another of his famously long absences.

A few months into the school year, we finally learned what had happened to him.  Our teacher, Mr. G (which, incidentally, stood for ‘Growcock’; I’ve written about him before), brought in a copy of the newspaper and read us a story from the front page about how the boy had died from leukemia.  “What’s loo-keem-uh—what’s that?” someone asked.  Mr. G explained to us that it’s a form of cancer that spreads through the inside of your bones, and that it’s extremely rare in children, but devastating when it does appear.  He went on to read that our classmate’s teenage brother donated some of his own bone marrow to help the boy’s cause and hopefully give him a new lease on life, but two days before he was scheduled to be released from the hospital, he lapsed into a coma and died.  He was eleven years old, as was most of the rest of our class.  We were dumbfounded.  He was dead?  How was that even possible?  I found myself feeling secretly relieved at the news, since When Bad Things Happen To Bad People It’s Good, at least in a kid’s mind.  As far as I was concerned, justice had been served.  I also found myself wishing, in my little heart of hearts, that some of my other tormentors would be similarly dealt with, by God or whoever.

I had forgotten about all of this until my friend reminded me of the boy during my last trip to Yakima.  Somehow he came up in conversation—I’m not entirely sure how—but we were talking about our grade-school teachers, since my friend had just recently run into one of them at the grocery store.  The strange thing (one of the many) about this story is that the boy’s legacy lives on to this day, since he happened to be born into an extremely famous sports family.  They’re so famous, in fact, that I won’t even write his name because it’s unusual and you may very well recognize it.  The dad was a pitching coach, and he’s still alive.  The brother who heroically donated his bone marrow went on to be a major-league pitcher, and since his retirement from baseball, he seems to have recently started a multi-level marketing business in Canada, which is a bit strange.  A third brother went on to be a professional pitcher as well.  Since I don’t follow sports whatsoever, and I haven’t since I was a kid, I had no idea how famous they all are, so I when I typed their names into FamousSearchEngine, I was shocked by how many results came up, and by the fact that almost every article mentioned the boy who had died so tragically from leukemia, all those years ago, and almost every interview featured one of the family members saying how they don’t go a day without thinking of him.  But I knew him, and he was cruel.  He was more than just an abstraction in a news story; more than just a little halo in a hospital room.

Yakima is a town from which very few well-known people hail.  It’s a bit like Canada, in the fact that people who grow up there know the names of every famous Canadian, and they can rattle them all off on cue.  It’s a secret society.  Those of us who grew up Yakima have the same ability to run down the list of famous Yakimaniacs from memory, and we can do that even if you wake us up in the middle of any random night.  My personal favorite is Raymond Carver, the amazing author, but there are a few others, such as comedian Sam Kinison and actor Kyle MacLachlan.  Oleta Adams, who famously sang with Tears For Fears, had my dad as her insurance agent back in the 1970’s. (Incidentally, here’s an awesome live video of Woman in Chains.)  Willie Nelson and Kris Kristofferson supposedly each owned a ‘getaway’ house somewhere on Scenic Drive, but none of us knew which houses they actually were.  Further down the list are a pair of Olympic gold-medalist skiers who also happen to be twin brothers, and there are a few supernumerary professional football players.  Now, at the very moment I decide to tell this dark and surreal childhood tale, I find out that there’s this legendary baseball family as well.

At this point, I would normally try to find some way to wrap this up in a nice little package, possibly with a ribbon and a bow, and leave it for posterity, but I don’t know that I can do that in this particular instance.  I should, of course, mention that despite my mixed feelings at the time, I hope my former classmate rests in peace, and my heart definitely goes out to the family now, who are clearly still dealing with the grief and the legacy of this thirty-year-old tragedy, which never quite seems to go away.

These last few weeks sure have gotten away from me, at least as far as writing is concerned.   My time has been consumed with about a million different rehearsals with different groups, to prepare for the shows that are starting to happen now.  I also had a few out-of-town gigs (in addition to local ones) and an exciting recording and mixing project in the works, which hasn’t left much in the way of spare time.

Luckily, this story won’t take long, since it’s about a dream I had this morning that I don’t remember very well.  It was kinda dumb, overall—well, it was—but it did end with a funny conversation.  The dream was about international spies, which you’d think would make it inherently cool, but people spent an inordinate amount of time discussing the kinds of cars they drove (Mercedes and BMW) as opposed to those driven by the police (boring American cars).  It was as though I was watching a movie, rather than participating in the action, which is probably why it was so boring.  I’d love to be an international man of mystery, but I’ll need to get a passport first.

MainCharacterGuy had a sexy, blonde female sidekick who was twenty years his junior, and there were two other people in the dream, a man and a woman, who commented about her to each other.

“Why’s he with her?”

“Isn’t it obvious?”

“Why’s he gotta pay her?”

“He pays her so she’ll fall in love with him.  He loves her cause—” and the second person chimed in to say, tautologically, “—he loves her.”

That’s when I woke up.

Incidentally, I haven’t forgotten that I owe you a story about hand jobs.  I’ve been trying to think of a way that I can tell it that won’t just be crass, but I’m not sure that’s gonna be possible, so I guess I’ll just keep it simple for once.

I can’t give a woman a hand job.  I mean, I CAN, but that’s not what it’s called, and I only found that out a week or so ago.  You see, I thought it was still called a hand job, whether it was done to a man or to a woman.  My friend thought it was hilarious that I used the term interchangeably that way, and he patiently explained it to me.  Turns out that the term ‘hand job’ is like ‘blow job’; it’s what a woman (or a man, for that matter) does to a man.  If a man (or a woman, for that matter) does the equivalent to a woman, then it’s called one of the million other terms that are floating around in our vernacular—which I will let you discover on your own, rather than listing them all here—but NOT a ‘hand job.’  You’re welcome.  I’m really glad we’ve had this discussion.

This calls for a new slogan.

BFS&T:  Now With 30% More Hand Jobs!

By way of a reward, here’s a hilarious video montage of all the references to hand jobs in the movie Rushmore. If you’ve never seen that movie, then see it.  If you haven’t, then this may be a bit of a spoiler, but I think you’ll find it entertaining.  It’s only a tiny bit of the overall story, and everything’s completely out of context, anyway.  All that being said, enjoy the video.

Here’s another story from the Enigma Files, about the mysterious studio owner I knew in my late teens and early twenties.

Not long after the shooting incident,  a room opened up in the basement of the biggest music store in town, and Enigma jumped at the chance to rent it.  When they were negotiating the terms of the rental, the store’s owner told him that if any kind of disaster affected the store, Enigma would ‘totally be covered’ by the store’s insurance policy.  Enigma asked a few times if he could get that in writing, but the owner always waved his hand dismissively and told him, “Yeah, yeah. . .some other time.”   Enigma thought that was fine; what was the likelihood that anything would happen?  They could always figure it out some other time.  He would occasionally remind Owner about their deal, and Owner would always postpone.  I was there during a couple of those conversations, and I remember them well.  I knew Owner a bit, by association, and I had a friend or two who worked in the store.

Enigma had his studio in the basement for two or three years.  It was mostly electronic, which is to say that it was computer-based rather than tape-machine based.  That’s the norm these days, but in 1991, it was pretty rare.   He had a Mac Classic computer with a synthesizer or three connected to it, and that was how the majority of his projects were started.  If he needed to record drums or anything really big, he’d worked out a symbiotic deal with the drum teacher who rented the room next door.   He’d pull out his tape machine and mixer and run cables through the hall.  Here’s a picture of the studio at that time.  I’m the person in the middle, wearing the weird sweater.  My drummer friend Half-A-Bee (that’s an inside joke) is on the left, and Enigma is on the right.

It was much smaller than the other place, but the location was better, and he saw an instant jump in the number of clients that called on him.  That meant that he also called me more often to play on songs.  By then, my band had essentially broken up, but I had a bunch of songs of my own that I’d been working on, and I banked all the time I’d earned from working on all those other peoples’ sessions into my own blocks of studio time.

One thing about recording studios is that they usually have multiple projects going on simultaneously.  Large studios will sometimes be booked by record companies for weeks or months at a time, but most people these days are financing their projects themselves.   My current studio setup (otherwise known as my living room) puts Enigma’s to shame, and I can spend as long as I like working on songs, for only the price of the equipment.  Back in 1991, however, even the ancient Mac in the picture would have cost a couple thousand dollars.  It was all pretty state-of-the-art back then, and Enigma had lots of people working with him.

My ‘day’ job at the time was the night clerk at a video store.  That was one of my favorite jobs, and I worked there for quite a while.  One afternoon, my co-workers and I heard an unusual number of fire and police sirens racing across town.  We looked out the window and saw a huge plume of smoke rising from the direction of downtown.  We asked the customers as they entered the store if they knew what had happened, and someone was finally able to tell us that the music store was on fire.  My blood turned to ice, and I grabbed the phone to warn Enigma, and to tell him to get over there.  He didn’t answer, but he got my message (he told me later) and raced downtown to hopefully salvage whatever he could.

As afternoon turned to evening, the fire raged at the limits of control, and it took the firefighters until almost dawn to extinguish it.  As soon as the surrounding roads were open, my friend and I drove downtown to survey the situation, and the smoldering remains of the building were pretty terrifying.  Enigma’s studio didn’t burn, but it was buried was under fifteen feet of sludgy water and charred debris.

Remembering their verbal agreement, Enigma tried desperately to contact the building’s owner, who was unreachable for days.  Once the water had subsided a bit, the police allowed Enigma to go to the basement and retrieve what he could.  Most of his stuff, including his tape machine, was completely destroyed, but he was actually able to salvage some of his gear.   He wrapped everything in black garbage bags and carted it to his mom’s living room, where it sat for months while he completely disassembled every piece and cleaned it up.  The computer actually came back to life, eventually, and the mixing board only needed some slight repairs.  Amazing.

After a week or two (if memory serves), he was finally able to track down the owner of the building, who had managed to conveniently forget about their permanently postponed contract.  I told Enigma that I remembered those conversations, and that I’d be happy to testify in court if it came to that.  The owner continued to balk, so Enigma had no other choice but to sue him.  He invited those of us with studio projects in the works to join in the lawsuit, so that we could also be compensated for the amount of time and money that we’d lost.  Some people only lost a song or two, but some of us lost a significant amount of music in that fire.  I had accumulated about three thousand dollars’ worth of studio time, and there was a hip-hop guy whose album was completely finished and ready to be sent to duplication.  Of all the studio’s clients, his loss was by far the most devastating.

The details of the case were these:  the owner had let an employee and some friends dink around in the store after it had closed for the day, and that employee had been smoking a cigarette while he was in there.  I don’t remember if the guy dropped the cigarette, or if he left it in a garbage can and thought he’d extinguished it, but the cigarette was thought to be the cause of the fire.  The police suspected arson, which seemed especially credible since the store owner skipped off to Florida with his two-million-dollar insurance settlement, and couldn’t be tracked down for the next few years, by which time our case had been dropped since the lawyers couldn’t find Owner.  I will go to my grave believing it was arson, because if it HAD been an accident, Owner would’ve been outraged (which he was not), and much more willing to fulfill his responsibilities to his various tenants.  As far as I’m concerned, foul play is the only thing that explains his bizarre behavior, and his unwillingness to deal with those of us who were left high and dry.  Not to mention the fact that the owner was able to salvage a great deal of his inventory and have a huge ‘fire sale’ a month or two later, so he recouped a sizable amount of that money as well.  Yakima’s online newspaper archive only goes back as far as 1997, unfortunately, so I wasn’t able to find this story, but I would really love to find out how they reported the story.

One funny thing about this story was our lawyer’s name.  It was the kind of name that only appears on cheesy TV shows.  I can’t tell you what it really was, since she’s still around and practicing law, but I can tell you that her name sounded like “Money Law.”   Isn’t that cute?

Every once in a while, I search for Enigma online, and I find him.  Sometimes I think it’d be nice to reconnect, but then I remember some of the weirdness, and I lose any motivation to contact him.  Best to let sleeping dogs lie, I’d say, in this particular case.

My last entry was about Enigma, the studio owner I knew back in my Yakima days, and I promised you a couple more stories about him. Well, now is as good a time as any, and I’m ready for one if you are.

After I’d spent a few nights recording my own songs, and Enigma saw that I could play a number of instruments, he started calling me in to play keyboards or guitar on sessions for other people. One of the people was a singer-songwriter who A) fancied himself the next Otis Redding (despite the fact that he was white and had difficulty singing in tune), and B) coincidentally enough, had the same name as my childhood optometrist. We also worked with a group of four guys who were modeling themselves after the New Kids on the Block. Ever the budding entrepreneur, Enigma had the brilliant idea of introducing WhiteOtis to the NewKids and creating a ‘supergroup’ of sorts, which he himself would manage. I was called in to help them write some songs. This relationship proved to be ill-fated, and everybody went back to what they’d been doing separately. Otis continued working on his solo project, “Do It,” which would be the first session work on my musical resumé.

One night, we were working on one of the songs for that album—I should really call it a ‘tape’, since calling it an ‘album’ makes it sound much more glamorous and legitimate than it was—and I invited a couple of my bandmates to the studio so that they could hear what Enigma and I were up to. We arrived early, and hung out with Enigma in the studio’s front office for ten minutes or so, until Otis arrived and we all made our way to the main room of the studio. Not more than a few minutes after we had moved to the main room, we heard a bunch of loud sounds that we assumed were firecrackers until we heard things hit the window and saw the curtains moving. It was then we realized were being shot at, and we ducked behind whatever cover we could find. Otis and I hid underneath the studio’s large mixing console, which was sitting on top of a sturdy wooden table. My two bandmates hid around the corner by the bathroom, while Enigma grabbed his shotgun and climbed up a ladder and into the crawlspace above the ceiling. He intended to climb up to the roof and survey the situation from there.

Otis and I were nearest to the phone, so I suggested that we call Nine-One-One and report what was going on. He lifted the receiver and made the call. “We’re being shot at,” he said tersely.

“Okay, where are you located?” the operator asked.

“Uhh. . .we’re kind of. . .on Lincoln and 26th. No, 24th—” He lowered the handset and whispered to me, What’s the address here?

I happened to know it (it was on 20th), so I whispered it to him. He relayed it to the operator, who said that the police were on their way. We thanked her and hung up.

After that, the shooting stopped, but the five of us stayed crouched and hidden until we saw the flashing red and blue lights of the police cars a few minutes later. Enigma had come down from the roof and joined us in the studio again, although he returned by way of a different route than he exited. He jumped down from the ceiling with his shotgun slung over his shoulder, and he tucked it behind his back as he peeked through the front door’s mail slot. “You might want to put that away,” I told him, gesturing at the huge gun.

“Oh, yeah,” he said, and returned it to its hiding place somewhere. While he was putting it away, the police called for us to come out with our hands up, and we walked single-file toward the door. I was the first one outside, and I was faced with the horrifying sight of four handguns pointed at me. I was told to put my hands on the car, and I did so immediately. My bandmates were the next in line, and they followed suit. Enigma was behind them, and he sauntered over to the car next to us. Otis was the last one out of the building, and he was just as calm and cool as can be. “It’s okay,” he said to the police, “we called YOU.” The guns were lowered and the officers came over to talk with us.

We told them what happened, to the best of our ability, and there were lots of rounds of ammunition strewn about on the ground outside the studio, which the police said were from a .22-caliber rifle. We showed them the holes in the windows and curtains, and even found a few rounds embedded in the desk and shelves near where we’d all been standing only minutes before. It was pretty scary, and I’ll never forget that experience. Here’s a picture of the building today, thanks to GoogleMaps.

I love that there’s a derelict shopping cart in the photo. I could have easily cropped it out or chosen a different angle, but why? The cart seems so apropos, somehow. Also, there used to be a row of tall, beautiful trees across the street from that building, but they’ve been cut down in favor of. . .a lawn for whatever business is located there now.

Anyway. That’s neither here nor there.

The full story came out as Otis was telling his story to the police. Otis and Enigma had been hanging out at the studio earlier that afternoon, when a group of four or five young guys came to the door and said, “Hey, we’re looking for [Otis Redding].”

“Yeah, that’s me,” he replied.

“Oh, uhhhh—” they stammered, “we were looking for the [Otis Redding] who went to Hick High School.” [For the record, I had recently graduated from Hick High School, and there was no one named Otis Redding.]

“No, I go to Redneck High School.”

“Okay, sorry to bother you guys.” They walked to their car and drove off.

Otis stood in the doorway and watched them leave, then turned back and said to Enigma, “That was kinda weird. Don’tcha think that was weird?”

Enigma agreed that it WAS weird, and Otis decided to go out and get some food (and, I suspect, to try and hunt down the group of guys), which is around the time that my bandmates and I arrived, unaware of that conversation. In retrospect, it seems that Otis had stolen a girl from one or more of the guys in question, and they were out for revenge. They knew he was a singer, and that he was working with Enigma, so he was easy enough to track down. The rest of us would have been collateral damage.

That was one of the strangest moments of my life. It was certainly the only time I’ve been shot at, as far as I know.

The shooting incident also scared Enigma into moving his studio to a more secure location, and when the biggest music store in town had an open room in its basement, Enigma jumped at the chance to move in. That’s the starting point for the story I’ll tell you next time on. . .The Enigma Files. Or something like that.

To be continued.